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Caring For Your Body After A Vasectomy

Caring For Your Body After A Vasectomy

Caring for Your Body after a Vasectomy

by

John Dugan

Every day, men across the United States agree to undergo vasectomies. In this 20-minute surgery, the tubes that carry semen out of the body are severed, and men are typically allowed to go home just minutes after the cutting is complete. While most of the healing takes place in the testicles, performing adequate penis care can help men to heal up quickly and avoid medical complications.

Surgical Site Care

There are multiple techniques experts can use to perform a vasectomy, but most involve making at least one small incision in the scrotum. Sometimes, these incisions are held together with glue, while other surgeons use traditional nylon stitches or no stitches at all. A small amount of bleeding is considered normal, and men might be encouraged to check their bandages or underwear for spots of blood. Any major bleeding, on the other hand, could be a sign of a problem that men should bring to the attention of their doctors.

Providing adequate support to the area can keep bleeding from spreading beneath the skin. Wearing an athletic supporter might be enough for some men, although surgeons sometimes provide specialized undergarments for men to wear as they heal. This might not be a fashion-forward look, but it can speed healing and keep the penis and scrotum from turning black with blood.

Allowing the Healing

[youtube]http://www.youtube.com/watch?v=Sng6uZEt_TQ[/youtube]

A vasectomy only takes a few moments to complete, but it’s still a surgery, and men who have the procedure done will need to rest up and allow the area to heal. These sorts of activities are typically forbidden until a few days have passed:

Heavy lifting

Sports

Running

Shopping

Housework

Ice packs placed in the lap can keep pain signals at bay, but standing up too quickly or jumping back into activities can cause swelling and pain to recur. This is one time in which lying on the couch, day in and day out, might be encouraged.

Staying Safe

Vasectomies aren t quick fixes for fertility problems, as sperm produced in the days prior is still available to the body and ready to be released at a moment’s notice. Men who return home from their vasectomies and have unprotected sex with their partners in the days following surgery could be thrust into fatherhood. Sex can also be painful in the early days, and the incisions could open back up during vigorous sex.

When several days have passed, most men are allowed to tentatively resume their sex lives, and they provide semen samples to their doctors a few weeks later to ensure that the surgery was successful and that no viable sperm remain in the body. Some men require months of healing in order for the tests to come back negative.

Adjusting to the Consequences

Most men are at least a little vain about their looks below the belt, and some men do develop a significant amount of bruising after a vasectomy. Small clots can develop at the surgery site, causing deep bruises and swelling, and those can sometimes be treated with medications or other conservative measures. Some men also develop bruising along the shaft of the penis, and while the bruises aren’t painful, they can be unsightly or even a little bit frightening to behold.

If the doctor says the bruising is normal and not cause for concern, men can help the penis skin to heal by applying a penis health cr me (most experts recommend Man 1 Man Oil). A cr me contains vitamins and emollients that can help skin to regain its soft and supple appearance, allowing the man to develop responsive skin that’s ready for action when the surgery site has completely healed.

For additional information on most common

penis health issues

, tips on improving penis sensitivity, and what to do to maintain a healthy penis, visit:

penishealth101.com

. John Dugan is a professional writer who specializes in men’s health issues and is an ongoing contributing writer to numerous online web sites.

Article Source:

Caring for Your Body after a Vasectomy

<div class=An interview with gossip columnist Michael Musto on the art of celebrity journalism
" />

An interview with gossip columnist Michael Musto on the art of celebrity journalism

Sunday, October 7, 2007

There are two things one can expect on a trip to see Michael Musto at the offices of the Village Voice: a 20-minute round-trip wait for the elevator and rapid fire answers from one of the most recognizable gossip columnists in the United States. Musto, in addition to his appearances on Countdown with Keith Olbermann and the E! network, has been writing his column for the Voice since 1984. He has recently compiled the best of them in a book released this year titled, La Dolce Musto: Writings by the World’s Most Outrageous Columnist. He was Carrie Bradshaw, replete with a prodigious use of puns, before Sex in the City was a thought. His column is a romp through his life, spats and opinions on socio-political issues. As David Thigpen of the Chicago Tribune wrote, Musto is “a funny and caustic satirist who masquerades as a gossip and nightlife columnist.”

Musto, a Columbia University graduate, is a rarity in today’s celebrity world: he is accessible. He often corresponds with his readers and his public functions are a mix of parties, nightclubs, academic lectures, university panels and film premieres.

He is friendly and frank, and he welcomes people to join him in his world (“I just got a message that Michael Lucas died!” he says staring wide-eyed at his phone; the message turned out to be false). Wikinews reporter David Shankbone spoke with Musto about his life and his relationship to the world of celebrity journalism. And he did not hold back.


Retrieved from “https://en.wikinews.org/w/index.php?title=An_interview_with_gossip_columnist_Michael_Musto_on_the_art_of_celebrity_journalism&oldid=4579215”
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<div class=Startup web broadcaster Joost signs deal with Warner Brothers
" />

Startup web broadcaster Joost signs deal with Warner Brothers

Friday, May 11, 2007

Internet TV came one step closer to reality as startup web broadcaster Joost recently announced that it signed a deal with Warner Brothers to host some of its WBTV-branded content. This deal, along with content deals with other television providers, lately Time Warner and Sony Pictures Television, makes Joost (pronounced “juiced”) the sweetheart aggregator and provider in the coming on-demand, freely distributed online TV broadcasts.

Joost bills itself as an online community where viewers, “can watch what you want, when you want, in full-screen eye-quality proper TV.” The service currently provides about 150 channels, although the availability of some channels varies by country or region due to copyright restrictions. Viewers can navigate screen menus to make programming choices, and then use “widgets” from drop-down menus that allow users to interact with the programming.

“Widgets include a clock, integration of instant messaging, RSS/News feeds and a chat room for the particular channel being viewed on the screen. Users have the ability to opt out of the widgets during viewing or can easily access them from the mouse-activated menus,” according to John P. Gamboa of the Dailey Aztec.

The development efforts at Joost are backed by technology-savvy web entrepreneurs Niklas Zennström and Janus Friis. The two used Internet peer-to-peer networking to create Kazaa, and then later Skype. The cutting-edge music file sharing and telephony implementations of these two applications, some say bleeding edge, appear to have had an affect on the approach being used now by the two at Joost along with co-developers. The copyright infringement-plagued Kazaa was sold to Sharman Networks in 2002. Skype was sold to eBay in October 2005 for $2.6 billion. In July last year, Kazaa settled with music record labels by making a $100 million payment as reparations for illegal file sharing activities employed by users of the application that enabled the distribution of copyright-infringed music files.

People are looking for increased choice and flexibility in their TV experience…

Kazaa became a copyright bust. Skype became a jaw-dropping hit, and a hit in the jaw of telcom carriers whose management of voice transmission became undermined by the sub-set of Internet users with broadband connectivity and peer-to-peer web awareness. The evolution is distinctively one-way. Online broadband peer-to-peer connectivity is here to stay after a nasty birth.

“People are looking for increased choice and flexibility in their TV experience, while the entertainment industry needs to retain control over their content,” said Joost chief executive officer Fredrik de Wahl. “We’ve married that consumer desire with the industry’s interests.”

The “marriage” of TV content to “consumer desire” is the hot-spot that media conglomerates are still seemingly trying to figure out as they dispense their less valuable content for Internet consumption. Joost has managed to secure some rights to webcast programming, but the content is not the highest quality broadcasted TV programming currently available through established subscription cable and satellite distribution channels, or even free airwave TV.

Underlying the concept of Internet TV is the distribution of content in a way that is more efficient than the existing model. Peer-to-peer networking over the Internet makes programming available when a user asks for it. The ‘on-demand’ feature of this approach frees up space in the distribution pipeline and provides feedback to the aggregator to know exactly what is in demand. It gives a middle-man the leverage to negotiate with media conglomerates and then manage a pipeline flooded with unviewed content, thereby conserving bandwidth. It also lets viewers opt for free online TV programming through content arrangements made by the web broadcaster, who acts as a gateway to the programs. However, it is not an advertising-free service.

The Joost hoopla is partly spurred on by its expansionist decision on May 1 to allow users of the Beta version to distribute 99 invitations to other people who could become Beta users.

Retrieved from “https://en.wikinews.org/w/index.php?title=Startup_web_broadcaster_Joost_signs_deal_with_Warner_Brothers&oldid=1149599”
Posted in Uncategorized
<div class=U.S. judge orders release of President Trump’s tax records, appeals court issues delay
" />

U.S. judge orders release of President Trump’s tax records, appeals court issues delay

Thursday, October 10, 2019

On Monday, United States District Court Judge Victor Marrero issued a ruling against President Donald Trump finding that New York City prosecutors could view his tax records after a subpoena issued by a grand jury. The Manhattan district attorney’s office is investigating Trump over alleged hush money paid to two women with whom he has been alleged to have had affairs. Such payments could be considered bribery. President Trump sued Manhattan District Attorney Cyrus R. Vance, Jr. and his own tax preparer Mazars USA to block the release of eight years of tax returns to the grand jury, but Judge Marrero dismissed the president’s lawsuit. The president’s legal team appealed the decision to the Second Circuit Court of Appeals, which issued an administrative stay to Marrero’s order about an hour and a half after the district court ruling.

The appeals court ruling placed a stay on the district court’s ruling until it hears arguments from the president’s lawyers and District Attorney Vance’s office. According to a court clerk, arguments in the case would be scheduled as soon as the week of October 21, with briefs from both parties due in the intervening time until then.

Trump had asked the United States District Court for the Southern District of New York intervene in a New York City criminal proceeding, in which a subpoena had been issued to Trump’s tax preparer. He sought such intervention to prevent Mazars from releasing his tax returns, arguing that, as president, he should be immune from prosecution, and that, by extension, his tax preparer, Mazars USA, could likewise be exempt from investigation. Marrero rejected this argument:

The notion of federal supremacy and presidential immunity from judicial process that the President here invokes, unqualified and boundless in its reach as described above, cuts across the grain of […] constitutional precedents. It also ignores the analytic framework that the Supreme Court has counseled should guide review of presidential claims of immunity from judicial process. Of equal fundamental concern, the President’s claim would tread upon principles of federalism and comity that form essential components of our constitutional structure and the federal/state balance of government powers and functions. Bared to its core, the proposition the President advances reduces to the very notion that the Founders rejected at the inception of the Republic, and that the Supreme Court has since unequivocally repudiated: that a constitutional domain exists in this country in which not only the President, but, derivatively, relatives and persons and business entities associated with him in potentially unlawful private activities, are in fact above the law.

Because this Court finds aspects of such a doctrine repugnant to the nation’s governmental structure and constitutional values, and for reasons further stated below, it ABSTAINS from adjudicating this dispute and DISMISSES the President’s suit.

Following Marrero’s order, the appeals court issued a stay, delaying Mazars’ compliance with the subpoena until it could review the case.

Trump responded to the ruling via Twitter, attacking the subpoena as a political strategy: “The Radical Left Democrats have failed on all fronts, so now they are pushing local New York City and State Democrat prosecutors to go get President Trump.”

The Manhattan district attorney’s office began its probe into Trump’s financial affairs after his former lawyer Michael Cohen was convicted of federal campaign finance law violations connected to payments made to porn actress Stormy Daniels and former Playboy model Karen McDougal to remain silent about alleged affairs with Trump. Cohen is serving a three-year-long prison sentence.

Trump has admitted to ordering the payments, according to prosecutors, but the U.S. Justice Department maintains a policy of not charging the sitting president with crimes.

In recent United States history, it has been customary, but voluntary, for presidential candidates to release their tax returns when running for office. Trump was the first president to refuse to do so since 1976. Trump has cited an Internal Revenue Service audit as prohibiting him from releasing them. The president has a lawsuit to prevent a New York State law from allowing the House of Representatives’ Committee on Ways and Means from gaining access to his records.

Retrieved from “https://en.wikinews.org/w/index.php?title=U.S._judge_orders_release_of_President_Trump%27s_tax_records,_appeals_court_issues_delay&oldid=4522874”
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Nursing Clothes And Maternity Clothes That Make You Look Good!

Nursing Clothes And Maternity Clothes That Make You Look Good!

By Amy Jarman

Many women find maternity clothes shopping challenging with an ever changing waistline and bust line in addition to facing the challenge of trying to look like their pre-baby selves again without looking, God forbid, fat. Those of us who have had babies know that maternity clothes shopping is just the beginning of the challenge. Once you have your baby, you will need to find clothing that not only fits you comfortably, without showing off your postpartum belly, but most of all does not make you look pregnant! For this reason, wearing your maternity clothes after the baby is not the best choice for avoiding that question you no longer want to hear “When are you due?”

If you plan to nurse your baby and actually plan on leaving the house with the possibility of nursing your baby on the go, a few basic, and yes, even stylish nursing tops will make your daily routine much easier. We all know that if you like how you look and if you like what you are wearing and how it fits, you are a much happier person which, in turn, gives the trickle down effect to rest of your family and baby. Even better, if you are wearing a nursing top that is actually made with easy nursing access and fits in a way that helps conceal a postpartum belly, you will be much happier. And, most important, happy mothers have happy babies (who have quicker access to their breakfast, lunch and dinner)!

So where do you start when looking for nursing clothes? Well if you don’t have time to shop locally, online is wonderful place to shop anytime of the day – even midnight when you are nursing your baby. There are many good nursing lines on the market today. Depending if you are looking for sophisticated, dressy casual, trendy or comfortable nursing wear, there is a brand and a style to fit the need. Here are a few recommendations:

[youtube]http://www.youtube.com/watch?v=1IFwZtcKSY0[/youtube]

Japanese Weekend makes a wide assortment of urban chic nursing tops that are sophisticated enough to wear to the office without anybody knowing it’s a nursing top. Many of these tops do double as a maternity tops, but are not made to make you look pregnant when you are not. Many of their styles are empire waist designs of all sorts of fun patterns as well as solids, such as their Obi Style and Kimono Style maternity and nursing tops, that will easily disguise a postpartum belly. A few of Japanese Weekend’s nursing tops are made with a faux cami design, such as the Lace Tipped Maternity and Nursing top, which allows you to nurse without displaying your cleavage to the rest of the world. Japanese Weekend also has a bestselling Cross Over Maternity and Nursing top that allows discreet nursing access and looks nice too. There are definitely styles for all seasons with Japanese Weekend including tops that come in full sleeve length, sleeves, short sleeves and some sleeveless varieties.

If trendy is more your game, take a look at 1 in the Oven, a relatively new Beverly Hills brand on the market today, which has already been discovered by celebrities and fashionistas alike. 1 in the Oven’s nursing tops are very soft and stretchy, easy to wear styles that fit many body types and always go well with a good pair of jeans. They also have their own version of a Cross Over Maternity and Nursing top with very discreet nursing access and an extra long length. Their shirred Maternity and Nursing Tube Top (which is actually fits like a tank) has a fun side tie sash and is super cute on. If you are a Henley style girl, they have both a sleeve and short sleeve nursing Henley in about every color under the rainbow. These top are 100% waffle weave cotton that stretches where you need it and are great for layering as well.

If loungewear is more your style for nursing clothes, you can’t go wrong with the Majamas Brand which basically invented the nursing top. Their Reverse Cami with Sleeves comes in black and charcoal color varieties and is perfect anytime of the year with sleeves. There is also the Softest Top in Black which, as the name implies, is super soft and comfortable with nursing access. The Sleepy Dress and Cozy Dress are great tank style nursing and maternity dresses for spring or summer. Many women wear these styles year-round and layer with sweaters and leggings in colder weather. Majamas does have some new snazy short sleeve nursing top styles out there such as the Lexie Top, a super hip contrast black and white pattern, and the Khuli Top, a stylish top with adorable ruching detail which comes in a cool latte or black. Finally if you just need a pair of excellent nursing pajamas, you can’t go wrong with the MJs or the Pajananaman which come in pewter, raspberry and black solids and a few patterns.

So whatever your style game, there are fashionable nursing clothes for you to choose from that will infuse a new ease and spirit into your new baby world. Once you are armed with fun and functional nursing clothes, it is much easier to face your day with a smile and a baby who will return the favor!

About the Author: Amy Jarman is owner of

nursing clothes

and

maternity clothes

store TummyStyle.com selling by

Japanese Weekend

, Maternal America, Majamas and more!

Source:

isnare.com

Permanent Link:

isnare.com/?aid=248799&ca=Womens+Interest

<div class=Singer Britney Spears faces hit and run charges
" />

Singer Britney Spears faces hit and run charges

Saturday, September 22, 2007

The Los Angeles City Attorney’s Office said yesterday that pop music super-star Britney Spears was facing charges for a hit and run offence and driving without a valid drivers’ license.

Charges were filed following an accident in which police allege Spears smashed her car into another vehicle in a parking area in August of 2007.

She could face a maximum of six months in jail and US$2,000 in fines if convicted.

A group of paparazzi recorded a video Britney steering her car into another vehicle on August 6 as she tried to pull into a parking spot in a Studio City lot.

Kim Robard-Rifkin was the owner of the other car and she filed a police report three days after the accident. The 59-year-old nurse found out that it was Spears who ran into her car after watching a video on a celebrity website.

Robard-Rifkin said, “I simply want my car fixed, the same as I would fix somebody’s car if I had done that.”

Spears will be arraigned on October 10.

Retrieved from “https://en.wikinews.org/w/index.php?title=Singer_Britney_Spears_faces_hit_and_run_charges&oldid=510710”
Posted in Uncategorized
<div class=Report urges Kenya to ban plastic bags
" />

Report urges Kenya to ban plastic bags

Wednesday, March 9, 2005File:Plastic bag stock sized.jpg

They are cheap, useful, and very plentiful, and that is exactly the problem, according to researchers. A report issued on Feb. 23 by a cadre of environment and economics researchers suggested that Kenya should ban the common plastic bag that one gets at the checkout counter of grocery stores, and place a levy on other plastic bags, all to combat the country’s environmental problems stemming from the bags’ popularity.

Retrieved from “https://en.wikinews.org/w/index.php?title=Report_urges_Kenya_to_ban_plastic_bags&oldid=4549618”
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How To Remove Ink Stains

How To Remove Ink Stains

By Clair O’Hara

Printer cartridges are commonly used at home and in the office, but stains resulting from a leaking cartridge can be difficult to remove from clothing and carpets. Here are a few tried and tested methods for removing ink stains caused by printer cartridges.

Carpet Stains: The important thing to remember when treating any type of stain is to treat it as quickly as possible. If an ink stain is allowed to dry, it will be much harder to remove. If there is a lot of ink on the carpet, the residue should be scraped away manually before treating the stain. A piece of cardboard or a plastic ruler is ideal for this. The area should then be treated with rubbing alcohol, if this is available. The alcohol should first be applied to a cloth or towel and then the stained area of carpet should be gently dabbed with the cloth to dissolve the blemish. The area should always be dabbed, rather than rubbed, as the motion of rubbing will spread the stain further.

If there is no rubbing alcohol available, a mixture of carpet-safe detergent and water could be applied to the area, using the same method as described above. Washing up liquid or soap is ideal, as it is unlikely to damage the carpet. The area should be dabbed until no more ink is coming away on the cloth. Then, a clean towel, cloth or paper towel should be used to blot the area dry, continuing with new towels if ink is still coming out of the carpet.

The area should be then rinsed with clean water, so remove the soap residue, and left to dry. If a stain persists, then further treatment with a specialised stain remover may be required.

[youtube]http://www.youtube.com/watch?v=oxYnOokuTZA[/youtube]

Stained Clothing: There are various methods that can be used to treat ink stained clothing. Treat the stain immediately with soapy water as quickly as possible. This will minimise the risk of the ink drying and proving harder to remove. The garment should then be rinsed in lukewarm water.

Hairspray is a common treatment for ink stained clothing, although care should be taken, as the spray itself can leave a mark. The hairspray should be applied to the back of the stain and then the area blotted with a clean cloth to remove as much of the ink as possible. Alternatively, nail varnish remover can be used the same way.

Another method is to soak the garment in hot sour milk, or hot milk with some lemon juice added. Leave the garment for as long as possible in the milk and then wash as normal. This is a really effective way to remove tricky ink stains.

Alternatively, use a specialist stain remover designed specifically for ink stains, or gets the advice of a dry cleaner as to an effective solvent. Delicate fabrics, such as silk, should always be dry cleaned, as any attempt to remove the stain may result in fabric damage.

By treating ink stains caused by a printer cartridge quickly and effectively, the risk of permanent staining is minimised.

About the Author: Clair O’Hara is writing on behalf of Cartridge World, the UK’s leading specialist in

printer cartridges

, including

toner cartridges

and

ink cartridges

.

Source:

isnare.com

Permanent Link:

isnare.com/?aid=1448967&ca=Advice

<div class=RuPaul speaks about society and the state of drag as performance art
" />

RuPaul speaks about society and the state of drag as performance art

Saturday, October 6, 2007

Few artists ever penetrate the subconscious level of American culture the way RuPaul Andre Charles did with the 1993 album Supermodel of the World. It was groundbreaking not only because in the midst of the Grunge phenomenon did Charles have a dance hit on MTV, but because he did it as RuPaul, formerly known as Starbooty, a supermodel drag queen with a message: love everyone. A duet with Elton John, an endorsement deal with MAC cosmetics, an eponymous talk show on VH-1 and roles in film propelled RuPaul into the new millennium.

In July, RuPaul’s movie Starrbooty began playing at film festivals and it is set to be released on DVD October 31st. Wikinews reporter David Shankbone recently spoke with RuPaul by telephone in Los Angeles, where she is to appear on stage for DIVAS Simply Singing!, a benefit for HIV-AIDS.


DS: How are you doing?

RP: Everything is great. I just settled into my new hotel room in downtown Los Angeles. I have never stayed downtown, so I wanted to try it out. L.A. is one of those traditional big cities where nobody goes downtown, but they are trying to change that.

DS: How do you like Los Angeles?

RP: I love L.A. I’m from San Diego, and I lived here for six years. It took me four years to fall in love with it and then those last two years I had fallen head over heels in love with it. Where are you from?

DS: Me? I’m from all over. I have lived in 17 cities, six states and three countries.

RP: Where were you when you were 15?

DS: Georgia, in a small town at the bottom of Fulton County called Palmetto.

RP: When I was in Georgia I went to South Fulton Technical School. The last high school I ever went to was…actually, I don’t remember the name of it.

DS: Do you miss Atlanta?

RP: I miss the Atlanta that I lived in. That Atlanta is long gone. It’s like a childhood friend who underwent head to toe plastic surgery and who I don’t recognize anymore. It’s not that I don’t like it; I do like it. It’s just not the Atlanta that I grew up with. It looks different because it went through that boomtown phase and so it has been transient. What made Georgia Georgia to me is gone. The last time I stayed in a hotel there my room was overlooking a construction site, and I realized the building that was torn down was a building that I had seen get built. And it had been torn down to build a new building. It was something you don’t expect to see in your lifetime.

DS: What did that signify to you?

RP: What it showed me is that the mentality in Atlanta is that much of their history means nothing. For so many years they did a good job preserving. Don’t get me wrong, I’m not a preservationist. It’s just an interesting observation.

DS: In 2004 when you released your third album, Red Hot, it received a good deal of play in the clubs and on dance radio, but very little press coverage. On your blog you discussed how you felt betrayed by the entertainment industry and, in particular, the gay press. What happened?

RP: Well, betrayed might be the wrong word. ‘Betrayed’ alludes to an idea that there was some kind of a promise made to me, and there never was. More so, I was disappointed. I don’t feel like it was a betrayal. Nobody promises anything in show business and you understand that from day one.
But, I don’t know what happened. It seemed I couldn’t get press on my album unless I was willing to play into the role that the mainstream press has assigned to gay people, which is as servants of straight ideals.

DS: Do you mean as court jesters?

RP: Not court jesters, because that also plays into that mentality. We as humans find it easy to categorize people so that we know how to feel comfortable with them; so that we don’t feel threatened. If someone falls outside of that categorization, we feel threatened and we search our psyche to put them into a category that we feel comfortable with. The mainstream media and the gay press find it hard to accept me as…just…

DS: Everything you are?

RP: Everything that I am.

DS: It seems like years ago, and my recollection might be fuzzy, but it seems like I read a mainstream media piece that talked about how you wanted to break out of the RuPaul ‘character’ and be seen as more than just RuPaul.

RP: Well, RuPaul is my real name and that’s who I am and who I have always been. There’s the product RuPaul that I have sold in business. Does the product feel like it’s been put into a box? Could you be more clear? It’s a hard question to answer.

DS: That you wanted to be seen as more than just RuPaul the drag queen, but also for the man and versatile artist that you are.

RP: That’s not on target. What other people think of me is not my business. What I do is what I do. How people see me doesn’t change what I decide to do. I don’t choose projects so people don’t see me as one thing or another. I choose projects that excite me. I think the problem is that people refuse to understand what drag is outside of their own belief system. A friend of mine recently did the Oprah show about transgendered youth. It was obvious that we, as a culture, have a hard time trying to understand the difference between a drag queen, transsexual, and a transgender, yet we find it very easy to know the difference between the American baseball league and the National baseball league, when they are both so similar. We’ll learn the difference to that. One of my hobbies is to research and go underneath ideas to discover why certain ones stay in place while others do not. Like Adam and Eve, which is a flimsy fairytale story, yet it is something that people believe; what, exactly, keeps it in place?

DS: What keeps people from knowing the difference between what is real and important, and what is not?

RP: Our belief systems. If you are a Christian then your belief system doesn’t allow for transgender or any of those things, and you then are going to have a vested interest in not understanding that. Why? Because if one peg in your belief system doesn’t work or doesn’t fit, the whole thing will crumble. So some people won’t understand the difference between a transvestite and transsexual. They will not understand that no matter how hard you force them to because it will mean deconstructing their whole belief system. If they understand Adam and Eve is a parable or fairytale, they then have to rethink their entire belief system.
As to me being seen as whatever, I was more likely commenting on the phenomenon of our culture. I am creative, and I am all of those things you mention, and doing one thing out there and people seeing it, it doesn’t matter if people know all that about me or not.

DS: Recently I interviewed Natasha Khan of the band Bat for Lashes, and she is considered by many to be one of the real up-and-coming artists in music today. Her band was up for the Mercury Prize in England. When I asked her where she drew inspiration from, she mentioned what really got her recently was the 1960’s and 70’s psychedelic drag queen performance art, such as seen in Jack Smith and the Destruction of Atlantis, The Cockettes and Paris Is Burning. What do you think when you hear an artist in her twenties looking to that era of drag performance art for inspiration?

RP: The first thing I think of when I hear that is that young kids are always looking for the ‘rock and roll’ answer to give. It’s very clever to give that answer. She’s asked that a lot: “Where do you get your inspiration?” And what she gave you is the best sound bite she could; it’s a really a good sound bite. I don’t know about Jack Smith and the Destruction of Atlantis, but I know about The Cockettes and Paris Is Burning. What I think about when I hear that is there are all these art school kids and when they get an understanding of how the press works, and how your sound bite will affect the interview, they go for the best.

DS: You think her answer was contrived?

RP: I think all answers are really contrived. Everything is contrived; the whole world is an illusion. Coming up and seeing kids dressed in Goth or hip hop clothes, when you go beneath all that, you have to ask: what is that really? You understand they are affected, pretentious. There’s nothing wrong with that, but it’s how we see things. I love Paris Is Burning.

DS: Has the Iraq War affected you at all?

RP: Absolutely. It’s not good, I don’t like it, and it makes me want to enjoy this moment a lot more and be very appreciative. Like when I’m on a hike in a canyon and it smells good and there aren’t bombs dropping.

DS: Do you think there is a lot of apathy in the culture?

RP: There’s apathy, and there’s a lot of anti-depressants and that probably lends a big contribution to the apathy. We have iPods and GPS systems and all these things to distract us.

DS: Do you ever work the current political culture into your art?

RP: No, I don’t. Every time I bat my eyelashes it’s a political statement. The drag I come from has always been a critique of our society, so the act is defiant in and of itself in a patriarchal society such as ours. It’s an act of treason.

DS: What do you think of young performance artists working in drag today?

RP: I don’t know of any. I don’t know of any. Because the gay culture is obsessed with everything straight and femininity has been under attack for so many years, there aren’t any up and coming drag artists. Gay culture isn’t paying attention to it, and straight people don’t either. There aren’t any drag clubs to go to in New York. I see more drag clubs in Los Angeles than in New York, which is so odd because L.A. has never been about club culture.

DS: Michael Musto told me something that was opposite of what you said. He said he felt that the younger gays, the ones who are up-and-coming, are over the body fascism and more willing to embrace their feminine sides.

RP: I think they are redefining what femininity is, but I still think there is a lot of negativity associated with true femininity. Do boys wear eyeliner and dress in skinny jeans now? Yes, they do. But it’s still a heavily patriarchal culture and you never see two men in Star magazine, or the Queer Eye guys at a premiere, the way you see Ellen and her girlfriend—where they are all, ‘Oh, look how cute’—without a negative connotation to it. There is a definite prejudice towards men who use femininity as part of their palette; their emotional palette, their physical palette. Is that changing? It’s changing in ways that don’t advance the cause of femininity. I’m not talking frilly-laced pink things or Hello Kitty stuff. I’m talking about goddess energy, intuition and feelings. That is still under attack, and it has gotten worse. That’s why you wouldn’t get someone covering the RuPaul album, or why they say people aren’t tuning into the Katie Couric show. Sure, they can say ‘Oh, RuPaul’s album sucks’ and ‘Katie Couric is awful’; but that’s not really true. It’s about what our culture finds important, and what’s important are things that support patriarchal power. The only feminine thing supported in this struggle is Pamela Anderson and Jessica Simpson, things that support our patriarchal culture.
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